The first of two mixes, this 59 and a half minute soundscape draws on sources such as as Clara Rockmore's "Art of the Theremin", William S. Burroughs' " ", The Chronopolis soundtrack, Ennio Morricone, Howard Hughes, and more.. auxilliary sources include the vocals of Meatporkmammy of "The Cocksuckers", a live taser, a multitude of delays, live electronics, and many hours of general mixing and channel processing.
Part two is perhaps a bit more "noisy" in nature than the first mix. The intro reprises the former's tazer collage, reassembled and this time mashed up with Spider Compass Good Crime Band. A long, somewhat grueling collage figures in heavily, based around loops of the " " by , with tasty layers of Sunn O))) and an L. Ron Hubbard diatribe, which is customary. There is an increase of live electronics, and a decrease of tape noises. The episode is capped off with a live version of The Residents "Walter Westinghouse." Other sources include Rubber O Cement, Hans Grusel on a Serge Modular, further Meatmammy, and an odd children's cartoon from somewhere in .